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Chapter 8 - The Last Trap

The clinic had been abandoned for years.

It stood on a quiet street between a shuttered bakery and a row of empty storefronts. Its sign had faded in the rain. The windows were covered in dust. The front door had been chained shut from the outside.

But there were lights inside.

Matteo insisted on going in.

Detective Morales insisted he wait for the tactical team.

I insisted neither of them could stop me from entering if Theo was involved.

“He is at the river house,” Matteo said.

“For now.”

Moretti had proven that “for now” was not enough.

The tactical team arrived ten minutes later.

They breached the front entrance.

Inside, the clinic was cold and silent. Old medical posters peeled from the walls. The waiting room chairs were overturned. A faded mural of cartoon animals covered one wall.

The same mural I had stared at six years ago while waiting for my pregnancy appointment.

My knees nearly gave out.

Matteo caught my arm.

“I’m here,” he said.

I looked at him.

The words had been simple.

But he meant them.

Not as a promise of control.

As a promise of presence.

We moved deeper into the building.

A door at the end of the hall stood open.

Inside was a nursery room.

At the center sat one metal chair, facing an old television screen.

The television clicked on.

Moretti appeared.

It was a recorded video.

“Matteo,” he said from the screen. “If you are watching this, then you have finally begun to understand the kind of father your own father was.”

Matteo stood rigidly beside me.

Moretti continued.

“Your father did not merely lie about your medical condition. He arranged the false diagnosis after a test showed you could have children. He feared an heir would weaken his control over you.”

Matteo’s face had gone colorless.

“Why?” I whispered.

Moretti smiled faintly on the screen.

“Because Angelo Vieri believed love made men disobedient.”

The words hung in the room.

Moretti went on.

“He knew if Matteo had a family, he might choose them. He might leave the business. He might become human.”

Matteo stared at the screen.

His breathing was slow and controlled, but I could feel rage vibrating beneath the stillness.

“Your father did the same thing to me,” Moretti said. “He took my son away. He told me my wife had betrayed me. He built his empire by ensuring every man around him believed love was a weakness.”

The image froze.

Then a door slammed somewhere below us.

“Movement in the basement,” an officer said into his radio.

We ran down the stairs.

The basement smelled of damp concrete and gasoline. Emergency lights glowed red along the walls.

At the far end, Moretti stood beside a steel door.

He held a detonator in one hand.

“You came,” he said.

Matteo stepped forward.

“Where is my son?”

“Safe. For now.”

My blood froze.

Moretti smiled at me.

“You always did have such frightened eyes, Mara.”

“Don’t speak to her,” Matteo said.

Moretti laughed.

“You finally found your courage. A wife. A son. A little family to protect. It is almost tragic.”

“Tell me where Theo is.”

“Why?” Moretti asked. “So you can lock him behind walls and call it love?”

Matteo’s face tightened.

“You do not know anything about my son.”

“I know he is your weakness.”

“No,” Matteo said.

His voice changed.

It became calmer.

Stronger.

“He is my reason.”

Moretti’s smile faded.

Matteo continued, “My father made us both believe love was something people could use against us. He was wrong. You are wrong.”

Moretti lifted the detonator.

“You think that makes you better than him?”

“No.” Matteo took another step. “I think it gives me a choice.”

A phone rang in Moretti’s pocket.

He looked down.

For a single second, his attention shifted.

Matteo moved.

Luca’s team rushed from the side corridor. Moretti pressed the detonator, but Detective Morales fired first, striking the device from his hand.

It skidded across the floor.

Luca tackled Moretti.

The steel door behind him swung open.

Inside was not Theo.

It was a room filled with old files, surveillance photographs, financial records, and photographs of Matteo’s father.

Moretti had created a museum of revenge.

And on the far wall was a map.

A map with one location circled in red.

The river house.

My heart stopped.

“Matteo,” I said.

His phone began ringing.

Sofia.

He answered instantly.

“What happened?”

Her voice was shaking.

May you like

“Theo is gone.”

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